$1,000 USD

Terms of Service: STORY ARTIST — Foundations Class 

Operated by STORY ARTS ACADEMY (a dba/subsidiary of The DORK ARTS LLC)

1. Acceptance of Terms

By enrolling in or accessing any class offering from STORY ARTS ACADEMY, including but not limited to "STORY ARTIST: Foundations" Class and associated Tiers, the student ("Student") agrees to these Terms of Service. This agreement applies to all instructional offerings, materials, and interactions facilitated by STORY ARTS ACADEMY, regardless of delivery format.

2. Intellectual Property & Ownership Rights

All instructional content—including but not limited to videos, slides, character designs, storyboards, scripts, prompts, cinematographic references, and teaching techniques—is protected under U.S. and international copyright laws and remains the exclusive property of The DORK ARTS LLC.

Students may retain ownership of original work created during the course only if that work is produced as part of class assignments and does not reference, incorporate, or derive from Academy-provided materials beyond the scope of the enrolled term.

No license, right, or permission is granted to students to repackage, teach, train others, upload to machine learning models, or distribute course content. This includes but is not limited to using course materials in any form for private or commercial instruction, or integration with generative AI training.

Any claims of intellectual property infringement—past, present, or future—against STORY ARTS ACADEMY, The DORK ARTS LLC, the course instructor(s), including Jed Diffenderfer, or any designated guest instructors, are waived in full by enrolling.

Students agree that this course is not a venue to develop or test personal creative projects intended for sale or distribution. Sharing ideas in class discussion or assignments grants all instructors and the Academy full freedom to discuss, critique, and explore those ideas.

3. Use of Class Materials

All materials provided are for the individual use of the enrolled student only. Duplication, sharing, downloading, screen recording, archiving, or exhibiting class videos or materials outside of personal use is strictly forbidden and will be prosecuted to the fullest extent of the law.

Public sharing or teaching of the class material—online, offline, in workshops, or private lessons—is prohibited without explicit written and hand-signed permission from The DORK ARTS LLC.

Students may not reproduce, redistribute, publicly display, or adapt any portion of the instructional content without express written consent—this includes uploading to AI/LLM training models, YouTube videos, or internal team trainings.

Violation of these conditions may result in immediate removal from the course without refund and potential legal action.

4. No Refund Policy

All sales are final. No refunds will be issued for any reason, including schedule conflicts, dissatisfaction, unmet expectations, technical difficulties, or unawareness of course requirements.

Class capacity is limited; purchasing a spot blocks another potential student from purchasing that spot during enrollment periods, forfeiting any claim to a refund by the purchasing student.

By enrolling, the Student acknowledges that viewing class material constitutes full access, and no refunds or reversals will be honored thereafter.

It is the sole responsibility of the Student to review all class descriptions, prerequisites, platform requirements, and any additional expectations not listed here before enrolling.

5. Account and Access

Accounts may not be shared or transferred. The enrolled Student is responsible for all use and activity on their account.

The DORK ARTS LLC reserves the right to terminate access without refund in the event of any suspected violation of these Terms.

6. Limitation of Liability

The DORK ARTS LLC, STORY ARTS ACADEMY, and affiliated instructors are not liable for any direct, indirect, or consequential damages, including but not limited to IP claims, misuse of content, or course outcomes.

This limitation applies to all teaching personnel, guest instructors, contractors, and employees of the Academy.

7. Revisions

These terms may be updated without notice. It is the responsibility of the Student to review this page periodically for changes. Continued access or participation constitutes acceptance of updated terms.

8. Code of Conduct and Classroom Behavior

STORY ARTS ACADEMY is committed to fostering a respectful, inclusive, and professional learning environment that reflects real-world creative industry standards.

Any form of inappropriate, offensive, or discriminatory behavior—including but not limited to racism, sexism, homophobia, transphobia, harassment, hate speech, or disruptive conduct—will result in immediate expulsion from the course without refund.

Instructors reserve full discretion to determine what constitutes inappropriate behavior within the educational environment.

Participation in this course is treated as preparation for a professional studio environment. As such, students are expected to uphold the same level of respect, decorum, and collaboration expected in those spaces.

STORY ARTS ACADEMY and The DORK ARTS LLC reserve the right to refuse admission or advancement into future courses or upper-tier programs if a student’s conduct, participation, or behavior does not align with these standards.

9. Governing Law

This agreement shall be governed by and interpreted in accordance with the laws of the State of California, United States. Any disputes arising under or in connection with this agreement shall be resolved through binding arbitration held in Los Angeles, California, unless otherwise required by law.

10. MaterialAs an actual or potential participant in one or more of the classes, offerings or other activities conducted, provided and/or undertaken by Story Arts Academy and/or The Dork Arts LLC, its principals, members, employees, representatives, or agents (individually and/or collectively sometimes hereinafter referred to as “you”), I am submitting, have submitted, or will submit to you certain material, which may be submitted in written, visual, pre-recorded and/or oral form (hereinafter referred to as the “Material”) under the terms and conditions stated herein:

10.1. I acknowledge that because of your position in the entertainment industry you receive numerous solicited and unsolicited submissions of ideas, formats, stories, suggestions and the like, and that many such submissions heretofore or hereafter received by you are similar to or identical to those developed by you or your employees or to those otherwise available to you.

Further, I acknowledge that you have adopted the policy of refusing to accept, consider or review such material unless the person submitting such material has signed an agreement in form substantially the same as this. Accordingly, I specifically acknowledge that you would refuse to accept, consider or otherwise review the Material in the absence of my acceptance of each and all provisions of this agreement (“Agreement”). I acknowledge that no fiduciary or confidential relationship now exists between you and me, and I further acknowledge that no such relationships are established between you and me by reason of this Agreement or by reason of my submission to you of the Material.

10.2. In consideration of your receipt of the Material, I hereby agree to the terms of this Agreement. I acknowledge that you have no obligations to me except as set forth in this Agreement, and that no other obligations exist or shall exist or shall be deemed to exist. I further acknowledge that at this time you have no intent to compensate me in anyway and I have no expectation of receiving any compensation. I acknowledge that you are under no obligation to review or use or negotiate with me with respect to the Material in any manner.

10.3. I represent and warrant that I am the sole owner and author of the Material; that I have full right to submit it to you upon the terms and conditions stated herein; and that the consent of no other person or entity is required to fully exploit the Material. I will indemnify you from and against any and all claims, expenses, losses or liabilities (including attorneys’ fees) that may be asserted against you or incurred by you, at any time, in connection with the Material or any use thereof.

10.4. I acknowledge that the Material is, has been, or will be submitted by me voluntarily and not in confidence, and that no confidential relationship is intended or created between us by reason of the submission of the Material. I agree that nothing contained in this Agreement nor the fact of my submission of the Material to you shall be deemed to place you in a position different from that of, or to cause you to have any fewer rights than, a member of the general public to whom I have not submitted the Material.

10.5. I acknowledge that materials (or portions thereof) developed, created, acquired, licensed or otherwise obtained by you, or third-party materials to which you have had access, may be similar or identical to the Material (or portions thereof) in theme, idea, plot, format and/or other respects. I agree that I will not be entitled to any compensation because of the use of any such similar or identical material. I hereby waive, and agree that I will never make, any claim or demand or bring any action against you in connection with the use of the Material. In this connection, I hereby release and absolutely and forever discharge you of and from any and all claims, damages, legal fees, costs, expenses, debts, actions and causes of action of every kind and nature whatsoever, whether now known or unknown, suspected or unsuspected, asserted or unasserted, which I now have, or at any time heretofore ever had or which I may have in the future, against you which in any way arise out of or in connection with the Material.

10.6. I hereby acknowledge that I am familiar with Section 1542 of the Civil Code of the State of California, which section reads as follows:

“A general release does not extend to claims which the creditor does not know or suspect to exist in his favor at the time of executing the release, which if known by him must have materially affected his settlement with the debtor.”

I hereby waive and relinquish any and all rights and benefits which I have or may have under Section 1542 of the Civil Code to the full extent that I lawfully may waive and relinquish any and all such rights and benefits.

10.7. Each party hereby waives any and all rights and benefits which he or it might otherwise have or be entitled to under the laws of California to litigate any such dispute in court, it being the intention of the parties to arbitrate, according to the provisions hereof, all such disputes, as the sole and exclusive means to resolve any such disputes. Any such dispute may be submitted to arbitration in the County of Los Angeles, State of California, in accordance with the rules and regulations of the American Arbitration Association then in effect, provided that said arbitration shall be heard before a single arbitrator, selected pursuant to said rules and regulations. Said arbitrator shall be well acquainted with the entertainment business in the County of Los Angeles.

The arbitrator’s decision shall be controlled by the terms and conditions of this Agreement and shall be final and binding. Judgment upon the award of the arbitrator may be enforced in any court of competent jurisdiction. The prevailing party shall be entitled to recover from the losing party, in addition to all other relief to which it may be entitled, its costs and expenses, including, without limitation, actual attorneys' fees and the costs of expert witnesses.

In the event of any dispute concerning this Agreement, my sole remedy shall be to seek damages and in no event shall I be entitled to seek injunctive or other equitable relief.

10.8. I have retained, or will retain, at least one copy of the Material, I acknowledge that you do not intend to return to me any copies of the Material submitted to you hereunder, and I hereby release you of and from any and all liability for loss of, or damage to, such copies.

10.9. If the Material is submitted by more than one person, the word “I” shall be deemed changed to “we” (and the corresponding verb changed to the first person plural), and this Agreement will be binding jointly and severally upon all such persons. As used herein, “you”shall be deemed to include you, your related entities, and your and their employees, agents, contractors, licensees and assigns.

10.10. Any provision or part of any provision which is void or unenforceable shall be deemed omitted, and this Agreement with such provision or part thereof omitted shall remain in full force and effect. This Agreement shall at all times be construed so as to carry out the purposes stated herein.

10.11. This Agreement may not be changed, modified, terminated or discharged except in writing signed by both you and me. This Agreement, regardless of where executed or performed, shall be governed by, construed and enforced in accordance with the laws of the State of California applicable to agreements executed and to be wholly performed therein.

10.12. I hereby state that I have read and understand this Agreement; that no oral representations of any kind have been made to me; that there are no prior or contemporaneous oral agreements in effect between us pertaining to said material; and that this Agreement states our entire understanding.

10.13. I understand that I have the right to seek the advice of independent counsel concerning my rights, the provisions hereof, and the advisability of executing this document. Further, I acknowledge that I have been advised by you, and you have given me the opportunity, to seek the advice of independent counsel, and I acknowledge that I am executing this Agreement voluntarily after consultation with independent counsel or after intentionally deciding not to do so.

Tier 1 | Story Artist Video Course

A 15 week, in depth course on the foundational story arts of feature animation story artists through lectures and assignments from Jed Diffenderfer, a leader in Story Departments across the industry.

What you get:

  • 15 full weeks of classes jam packed with some of the most sought after story instruction in the industry!

  • Hours of video lectures per week on each topic, carefully curated and designed to build upon the last so you get as much as possible content covered in one term.

  • Weekly assignments emulating work done by new story artists at the studio. No need to already be hired for the experience, or acceptance into limited internship programs.

  • Three primary story sequences you will create. These can be used as portfolio pieces, covering the range you'll need for a solid foundation with focus on Comedy, Drama, and Action.

  • Exercises and quizzes throughout each weeks lessons to ensure you both understand the concepts and know how to apply them.

  • Continued access to all lectures beyond the class into perpetuity, as well as any updates I make for future classes! You'll always have the latest versions!

  • Once you graduate the course, you'll have access to the Story Arts Academy Community Forum where you can keep in touch with fellow students and all alumni of the course over time to continue sharing feedback, pitches, story discussion, etc. 

This tier is ideal for those who want time to watch and rewatch the videos at their own pace, or just enjoy learning on their own.

If you also want the quintessential 'college class' level experience with LIVE class participation and pitching, I recommend Tier 2

Jed is teaching a class? Do yourself a huge favor and take it. Jed is one of the most inventive, adept, and thoughtful animation folks I’ve ever worked with, and elevates or deepens everything he touches. Getting a glimpse into the way he thinks about story is something you shouldn’t miss!

Peter Ramsey | Director (Spiderverse, Mandalorian, Ahsoka)

Jed’s resume is so STACKED, it boggles the mind. Probably makes sense he’s one of the most versatile story artists in the industry. He’s incredibly funny, and the comic tone in his work is a rare skill that you don’t find much- and is in high demand for big animated feature films. He’s a patient and understanding leader, and one of the most generous people I’ve ever known and worked with. If you’re looking for a teacher, you can’t do much better than Jed.

Daniel Chong | Creator, Director (Hoppers, We Bare Bears)

Jed has a wealth of story knowledge and experience from his many years at major studios, as well as an undying creative spirit that is truly infectious. Take his class, learn, and get inspired by one of the bright lights in the animation industry.

Trevor Jimenez | Writer, Director, Story Lead (Win or Lose, Weekends, Soul)

Jed is a true powerhouse in the animation industry. Drama, comedy, action- whatever genre you can think of, he's a master of it all.

Jessie Wong | Writer, Story Artist (Centaurworld, KPOP Demon Hunters)

Jed is an outstandingly creative thinker with a seemingly endless trove of ideas. His storytelling skills are excellent and he tops those with a fresh approach to comedy. Anyone taking his class will receive a good education indeed.

Kent Beyda | Editor (KPOP Demon Hunters, Angry Birds, This is Spinal Tap)

If you are looking to sharpen your storyboarding sword, look no further than Jed. A story telling master with years of experience! It’s never too late to strengthen your storytelling foundation! Learn from the best!

Michael Yates | Writer, Director, Story Artist (Wind or Lose, Soul, Toy Story 4)

Jed is one of the greatest visionaries in the Animation and Film Industry as a whole. Not only is Jed a master of his craft, his remarkable intuition, sense of humor and deep passion were undeniable factors for the success of many feature animated films he collaborated with. Jed's meticulous approach to camera, choreography, character and tone brings specificity that elevates any story from familiarity to brilliance.

Leo Matsuda | Writer, Director, Story Artist (Hello Kitty, Inner Workings, Big Hero 6, Wreck-it Ralph)

It always amazes me how creative and original Jed’s storytelling instincts are. He has a remarkable ability to develop characters and narratives from a solid foundation into something rich in nuance, emotional depth, and, most importantly, entertainment. And yes, he’s also brilliant at visualizing them. Learning from Jed isn't just inspiring, it's an absolute blast!

Jony Chandra | Head of Story, Story Artist (Nimona, Peanuts Movie)

He is someone who truly cares—about his work, the stories he creates, and the growth of his students. Whether he's crafting a narrative or shaping his curriculum, that passion comes through in everything he does. Anyone fortunate enough to receive his feedback will find it invaluable. This class will be an eye-opening experience for anyone aspiring to become a storyteller or director.

Yoriko Ito | Production Designer, Art Director (Super Mario Bros, Baba Yaga, Madagascar Franchise)

Not only does Jed know his stuff but he knows how to teach it. As a bonus, his enthusiasm for the craft is energizing.

Kurt Nellis | Senior Cinematic Designer (Destiny Franchise, Halo 3-Reach)